The Shanghai Minsheng Art Museum (formerly) was founded by the China Minsheng Banking Corporation, Ltd.(CMBC) for the purpose of promoting contemporary art and culture. Building a world-class museum is part of the corporate responsibility platform of CMBC as part of its mission of 'bringing art to the public, bringing people into the realm of art'. The Museum is committed to a model which includes international exchange, and a broad range of public education activities to open up a viable space for art. In the interest of fostering an appreciation of art among a wide public and creating a diverse artistic and cultural landscape, the Museum creates a dialogue between fine and applied art, and between traditional and avant-garde art, with the aim of breaking down barriers and closing the gap between art and the general public. The future collections of the Museum, its exhibitions, research and publishing, and the critical sensibility these reflect, will have an impact on the creation of contemporary culture, as we move into a new age.

The Museum is located in the former French pavilion of the 2010 World Expo. In 2010, after the closing of the Expo, the French government, Shanghai Municipal Government and Shanghai World Expo Development Group, with the support of former CMBC Chairman Dong Wenbiao, arranged for the building to be turned into a fully-fledged museum a platform for creativity, arts, humanities, and contemporary art exchanges, servicing the local population of Shanghai and visitors from abroad.


The Royal College of Art started life in 1837 as the Government School of Design, located in Somerset House in the Strand. Following the Great Exhibition of 1851, this relatively small-scale operation was radically transformed to accommodate art as well as design, leading the institution to be rechristened the National Art Training School at its new home in South Kensington. In 1896 it became the Royal College of Art. It is the world's oldest art and design university in continuous operation.

In 1967 the College was granted a Royal Charter, endowing it with university status and the power to grant its own degrees. To this day, the RCA remains the world's most influential wholly postgraduate university institution of art and design, offering MA, MPhil and Ph.D degrees in fine art, applied art, design, communication and humanities. It is the most concentrated community of young artists, designers and communicators to be found anywhere.

Proud of its extraordinary roster of former students and its past successes, the RCA is however very much focused on the future: advancing knowledge and exploring new fields of practice in art, design, architecture, fashion, communication, the humanities and the applied arts.


AICA, which was founded in 1948-49, is an NGO in official relations with UNESCO. Its objective is to support art criticism in all its forms, worldwide and to keep pace with its changing disciplines. Its principal objective is to serve contemporary creativity.

Placed at the crossroads of cultures, AICA is a free association of art professionals, who are anxious to develop international co-operation in the fields of artistic creation, dissemination and cultural development, through the breadth of its representation and global contacts. AICA's head office, located in Paris, represents and promotes the activities of the Association's approximately 4,600 members from some 85 countries, grouped into 63 different national or regional Sections, in addition to a small, international, 'Open Section'. The Association’s overheads are entirely financed by the subscriptions of its Ordinary Members, Honorary Members and Patrons.

AICA's most recent international Congresses have been held in Seoul (2014) , London (2015), and Havana(2016). AICA recently launched a new series of publications of critical writings in translation, starting with Ticio Escobar, ‘The Invention of Distance’ (2013), and to be continued shortly with essays in translation by the South Korean, Yll Li and the Slovak/German critic, Thomas Strauss.


Established on 12 January 1996 in Beijing, the China Minsheng Banking Corp., Ltd. (CMBC) is a national joint-stock commercial bank with investments mainly from non-state-owned enterprises (NSOEs). The Company was listed on the Shanghai Stock Exchange in 2000 and on the Hong Kong Stock Exchange in 2009.

In business for over 18 years, CMBC aims to create value for its customers and provides a number of professional banking services.

including loans, mortgages, financial management, bulk and specialised financial services for small and medium-sized enterprises.

As of 31 December 2013, CMBC has over 800 branches and banking outlets in Mainland China and Hong Kong (SAR), making it one of the most influential national banks, ranked no. 47 in the world's top one thousand banks for that year.

From 2007 to the present, CMBC has continuously increased its involvement in charity and social welfare projects, so as to fulfill its corporate social responsibility mandate. To date it has built three art museums (Shanghai Minsheng Art Museum, Shanghai 21st Century Minsheng Art Museum, and Beijing Minsheng Art Museum) and has launched a number of initiatives, including the well-received exhibition, 'Thirty Years Of Contemporary Art in China' and the charity project 'Beautiful Village—Ancient Village Preservation Project'. In recognition of its contributions, the CMBC was granted the China Charity Award in 2009, 2011 and 2013, and the Practice Award in 2013. It was ranked No. 1 in the Corporate Good Responsibility Developments Index of the Chinese Banking Industry in 2013.